1. So a while back I wrote about how Sansa’s and Sandor’s interactions make for a really interesting unwriting of the typical male-gaze centered narrative because a) all of their textual interactions take place from Sansa’s perspective, b) we get to know Sandor best through the Sansa and Arya chapters, and c) Sandor is quite interested in Sansa as an active spectator, not a passive, looked-upon object.

    Anyway, I was just rereading some of their passages and this struck me and I can’t believe I didn’t notice it before:

    “There’s a pretty for you. Take a good long stare. You know you want to. I’ve watched you turning away all the way down the kingsroad. Piss on that. Take your look.

    -A Game of Thrones, ch. 29

    First off, you can read the tonal shift here from mocking to hurt and very possibly sincere. As happens time and again, his bravado kind of falters and he ends up getting a little too raw, exposing just how damaged he is. He starts off intending to mock Sansa’s polite behavior and the courtly culture that surrounds them, but he ends up telling her about his scars. 

    He doesn’t say “look at me” here, which he does later in this scene and in several of their scenes together. He chooses “take your look” (the only time, I think, he says this). “Look at me” is a command with a clearly implied imbalance of power: Sandor has it, Sansa does not.  ”Take your look” implies Sansa’s agency as the active spectator, and also acknowledges the weird power/semi-ownership she has over him. He wants her—and no one else—to look at him.

    It also has a nice double meaning given Sandor’s later use of give/take language when he talks about the Little Bird. During his confession to Arya, he twists what he had earlier meant as a crude boast about Sansa “singing” to him, saying that he “took the song, she never gave it,” and that he should have “taken” her too. 

    Given the true meaning behind the ~song and the giving vs. taking of it, “take your look” takes on a whole new meaning to me. He might go about expressing it in a nasty, brutish way, but Sandor’s one of the only people who sees Sansa as a real person—not just a small cog in a large machine—who can and should be able to take whatever the fuck she wants.

     
  2. 
no church in the wild

    no church in the wild

     
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  5. Ok as much as I like Gruff and Hungover Sandor there had better be a shit ton of Manly Tears Sandor because ASOS could basically be subtitled: “All Those Times Sandor Got Drunk and Cried.”

     
  6. So I’m watching “Cripples, Bastards, and Broken Things” with the commentary (Bryan Cogman, who wrote the episode, and Kit Harington) and Cogman discussed how he initially wanted a much bigger tourney scene but it got cut because of the budget, etc etc. and THEN mentioned the “controversy” over having Littlefinger rather than Sandor himself about his burns. “The Hound and Sansa subplot is alive and well and it’s just going to play out a little differently than the books, and that’s okay.”

    NO IT’S NOT OKAY! THIS IS NOT OKAY.

    Oh and then in the scene with Cat in the inn, he’s like “we didn’t change much of the dialogue because why mess with perfection?”

    RAAAAAAAAGE.

    (Meanwhile, Kit barely speaks two words in this whole thing but when Littlefinger starts in, he’s like, “This is such a cool story.” LOL KIT I LOVE YOU.)

     
  7. Well, we can add “traumatic childhood fire” to the Sandor Clegane/Daryl Dixon Venn diagram.

     
  8. NOIR!SANSAN IS HERE, Y’ALL.

    Without the Sun, I’m Only Shadows in a Dress.

    2401 words (for now)

    He had found her. She supposed that if anyone could, it was him, but the irony still stung. It was he who had left her, after all.

    (If you have seen Out of the Past, the premise is going to sound familiar. If you haven’t, get thee to Netflix. Robert Mitchum would have made an excellent Sandor.)

    Warning for very vague mentions of past abuse, but nothing graphic.

    Chapter 1

     
  9. DYING.

    DYING.

     
  10. So HBO did a little interview with the storyboard artist for GoT, and gave us a little sneak peak of s3. I know I have Sandor goggles on at all times, but does anyone else think this might be him (BWB fight, perhaps)? 

    So HBO did a little interview with the storyboard artist for GoT, and gave us a little sneak peak of s3. I know I have Sandor goggles on at all times, but does anyone else think this might be him (BWB fight, perhaps)?